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10 Questions: Zalmy Berkowitz

Zalmy Berkowitz's artistic vision describes rhythm and movement amongst the chaos of life’s candid moments. His film work makes you fall in love with analog all over again.

10 Questions: Bob Sala

Meet Bob Sala. You might have come across his work - cinematic 60s-70s ambient stills that remind you of your mother’s childhood (or for some, your own). His (portrait) images go beyond making a fashion statement on a particular era; they tell a story of society and culture.

10 Questions: Vittore Buzzi

Milan based photojournalist Vittore Buzzi's photography is fuelled by the search to understand and accept reality - which translates into an exceptional eye for capturing moments and stories.

 
 
 

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ARTIST OF THE MONTH
Artist of the Month - Kate Whyte

photography

Kyle Murphy & Air Drops for Puerto Rico

When LOOKSLIKEFILM Member Kyle Murphy posted this image in the group, we immediately had to know all about it and how we can help. These guys are doing the good work of getting much needed necessities to the many people still without running water and electricity in Puerto Rico.

Uh. Maze. Ing.

Joel Ifill Making Drops, this and all images by Jim Murphy.

Joel Ifill Making Drops, this and all images by Jim Murphy.

Check out what Jim has to say about Air Drops for Puerto Rico:

Tell us a something about yourself, Kyle. Where are you from? Married? Pets? How did you get into photography?

I'm from Ann Arbor, MI, single, and I travel with a German Shepard.

My mother's side of the family is huge, so I was 17, already shooting as a hobby, when I gave some prints to my cousin of his son's birthday. He paid me in return and the lightbulb turned on. Haha! I could have fun and get paid?! Mind. Blown. I was a mechanic for 3 years getting self-certified, then took off on an epic road trip for the first time. New truck (currently still going strong at 215k), new dog (adopted at age 2) and the open road. Found Colorado amongst all of the glorious other perfect locations. Came back to get my shit, and moved. I come from a family of “learn by doing” type mentality. That gave me a less stressful strength to fight for the photographer's dream.  I was a valet/bartender on the side while organically building my business by word-of-mouth. Ya know, lots of cheap/ free shoots for the first year or two to get off the ground.  Shot my first wedding as an assistant (first and only time i’ve done that). The bride and groom reached out to me separately from the “hired” photographer to tell me that they loved my photos the most . . . that wasn’t a boost of confidence at allllll. Since then I took those photos, built the crappiest website, moved all over the states  - Chi,  Den,  Asheville, Santa Cruz, New Mexico, building my clientele of families to photograph as I drove around the states. It was  kind of an accident. Curating my clients as I moved around the country. Tried buying a house, but pulled out and decided to fill the wanderlust side of my heart. Instead I got a little to buzzed on craigslist, emailed some airstream sellers, woke up to a couple replies, checked it out, and BOOM all of a sudden I’m pulling a 3,000 lb,  1952 Airstream behind my 2007 Nissan Xterra.  SIDE NOTE - I was traveling/living in my Xterra for a year with my rooftop tent before I decided to check out the “tiny house living idea”, which, tiny house era had yet to begin. I grew up having vacations with the family (one sister that’s younger). Dragged the trailer back to Denver, where I gutted it completely from the floor up and made it my own.  It’s completely off grid, which I knew I needed since I was traveling/posting up on fire trails or campgrounds for most of that first year with the trailer.  Solar, composting toilet, woodstove. I’ve been traveling in my “home” for the past 3 years. Been a riot of a ride, but am happy with the decisions and paths that have been presented to me thus far.  I am currently sitting in Boston after shooting a wedding all day yesterday, flying to Vietnam to shoot some more and back to Denver for another wedding, btw . . .   

How did you get involved with Joel Ifill, DASH Systems, and Air Drops for Puerto Rico?

Joel is an old high school friend. It’s his start up and called me out of the blue to see if I could make him look good on the first flight of his new precision air drop technology.

How much of Maria’s devastation is visible from the air? Downed power lines? Washed-out roads and bridges? Roofless homes?

A shit ton. Roofs gone. Animals washed away. Water poisoned and dirty.

When making drops, are there visible gestures of celebration or gratitude from the folks on the ground?

Not that we can tell. There’s a small crew on the ground to accept the packages.

What has been the most challenging aspect of this mission for you personally?

Keeping the mosquitos off of my while sleeping in the hostel or the beach. Haha! Lots of standing water.

What has been the most rewarding?

Knowing that I did better than Trump tossing paper towels.

What gear are you using?

5dmiii 16-35 L 2.8. GoPro5 on a karma grip for stabilization.

Are you still there? If so, how long do you expect be helping and documenting the air drops?

Plan on going back if more people donate. Will go as long/often as I can.

How can we help?

 Donate what you can to our GoFundMe! 

Your donation goes towards one thing only: delivering packages anywhere on the island with no excuses. Any donation helps push our mission forward and allows us to sustain operations. Beyond donations, if you know of organizations or individuals in need of delivery please contact us and we can work together to help Puerto Rico.

Thanks, everybody!

Let's donate now and show these guys the awesome power of the LOOKSLIKEFILM community!

"Did I leave the oven on?"

Follow kyle!

Posted by Seth Langner, Contributing Editor, Florida & Destination Wedding Photographer, http://karmathartic.com/

Before & After with Matteo Lomonte

As we all know, often photography is more about problem-solving than anything else - transforming difficult, challenging circumstances and conditions into something compelling or beautiful or true. And this image is a perfect example of this process. Matteo took those proverbial lemons and made some delicious lemonade.

No doubt.

Matteo. You. Go!

I was born in 1983 in a wonderful town in South East Italy. Puglia. I took my first picture in 2011, at the beginning to escape from reality. Later, when I turned my camera to people, I've felt the necessity because it was like talk about me, through their emotions. Straightaway I decided to tell and talk about people on their most important day, and so I moved myself to the Wedding Photography. 

I love to travel, to discover, and say something new in every occasion, that's why I do weddings, not only in my region, but also in Italy and Europe, and soon in other continents, I hope.

By what artists/creatives are you influenced? What inspires you?

I don't know if  "inspire" is the right verb, I like a lots of photographer, but I think that taken a bit from everyone is my way to learn, even those who have a totally different way of working compared with me.

Do you have a vision in mind before going out and shooting? Tell us about about what gear you uses and your workflow, how you crafted the image, both on set and in post.

Almost never do I have an image before working. I like to feel energies and emotions and myself fully inhabit the place where I'm going to take pictures. But, if I already know some details, I start to visualize images in my mind.

My workflow has nothing special. I realize the pictures while I'm shooting, knowing what I want for later. I use lightroom for a post production - very simple and I use personalized preset films.

Now tell us how this amazing image came together, from conception to completion.

This image has shown up for necessity. We were in front of the Colosseum at 5 o'clock pm, full of tourists, full of advertising stands and other disturbing objects. I only wanted a photo with the couple and the Colosseum. Soon I  thought of a kind of reflection to eliminate the part below and to be honest I did a great job, but it wasn't enough. I was looking for more, and after that the photo popped up in my mind. As you can see from the RAW files that I've sent, at the end I only did a colour correction, contrast, and a light crop.

The final picture was what I wanted, without knowing it.

Mouse over the image for that sweet B&A magic!

Follow Matteo!

Blogged by Seth Langner, Jacksonville, FL wedding and portrait photographer. http://www.karmathartic.com/

Atmosphere Aerosol · Product Review · Outdoor Edition

When it comes to crafting compelling images, it never hurts to have an extra tool in one’s bag, and Atmosphere Aerosol is just that. Fog in a can. Sweeeeeet. And under the right conditions, namely little-to-no wind, it definitely adds some drama to an outdoor shoot. But, it’s easy to burn through a can pretty quickly trying to get the right coverage of spray in one’s frame; there’s definitely a learning curve. And, obviously, an extra pair of hands, or two, are needed while one’s snapping photos. And be quick. The stuff, as one might expect, dissipates quickly.

Overall, it’s a nice thing to have on hand to spice up a shoot. And, $11.95 per can ain’t bad.

Stay tuned for our next review of Atmosphere Aerosol · Indoor Edition. We suspect it has much more potential indoors, without all the variables of outdoor conditions.

Images and review by Seth Langner, Jacksonville, FL wedding and portrait photographer. http://www.karmathartic.com/