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10 Questions: Bob Sala

Meet Bob Sala. You might have come across his work - cinematic 60s-70s ambient stills that remind you of your mother’s childhood (or for some, your own). His (portrait) images go beyond making a fashion statement on a particular era; they tell a story of society and culture.

10 Questions: Vittore Buzzi

Milan based photojournalist Vittore Buzzi's photography is fuelled by the search to understand and accept reality - which translates into an exceptional eye for capturing moments and stories.

10 Questions: Meg Umberger

When you view Salem based Meg Umberger’s work, you can’t help but to feel the warmth, and the tingling feeling of her passion for creativity.

10 Questions: Alex James

Alex James' work brings drama and cinematic atmosphere into life - making ordinary moments and landscapes extraordinary.

10 Questions: Twyla Jones

Twyla Jones' work is both honest and surreal to me; it evokes emotions that hit you deep down and leave an imprint.

10 Questions: Darina Stoda

Darina Stoda was born in Estonia - a place of forests and rivers straight out of folklore, and has since lived for many years in Norfolk (UK) surrounded by large wild spaces and ocean. Even though I’ve never been to Norfolk or most parts of the UK, when I see Darina’s work, I can almost smell and feel the crisp air - her dreamy approach to incorporating nature in her story telling is inviting.

 

10 Questions: Jakub Fabijański

What is very inspiring is Jakub Fabijanski’s work, which brings a kind of dreamy cinematic take to photojournalism that you can’t help but to fall in love, along with the people in his photographs.

10 Questions: Don & Helen Bringas

Based in Spain, Don & Helen document weddings all over the world. Don & Helen’s work speaks humour, spontaneity and most importantly, the emotional connection to a moment captured in their frame forever.

10 Questions: Jesus Caballero

Portugal based photographer Jesus Caballero, traded in a career as a biologist for photography. Trained professionally in photojournalism (even mentored by a Magnum photographer), Jesus skillfully combines lifestyle with photojournalism to give wedding a fine art visual voice.

10 Questions: Susann and Yannic

Berlin based photographers Susann and Yannic created a food blog “KrautKopf” 2 years ago to share their love on making good food during the off Wedding season (Winter months) and have not looked back since.

10 Questions: Danelle Bohane

Auckland based New Zealand photographer, Danelle Bohane, started photography when her grandfather bought her a camera when she was still young. From there it has been a journey of discovery inspired by her love of people, art and connections.

10 Questions: Jessica Tremp

Australian photographer Jessica Tremp shoots Weddings to pay her bills whilst also being an accomplished fine art photographer. With no formal training in photography, Haunting, poetic and mesmerising - with a strong narration and fluid energy - Jessica’s work draws you in, hungry for clues; wanting more.

10 Questions: Thierry Joubert

French photographer Thierry Jourbert blends childlike openness, and philosophical ideas of trace and sign, with a skill for telling other people’s stories. Unafraid of dreaming big - Thierry’s work showcases his mastery of light and the depth of human emotions.

10 Questions: Junebug

For those in the wedding industry, Junebug Weddings is a familiar name. Based in SeattleJunebug was formed in 2006 and is now one of the leading international wedding blogs. In this special interview with Junebug Weddings, we reveal what it takes to be the world’s leading wedding resource, and where Junebug predicts the Wedding industry will be in 10 years’ time.

10 Questions: The Eagle Hunters with Sasha Leahovcenco

Sasha Leahovcenco’s passion for documentary photography is evident through his personal work. Sasha’s Eagle Hunter work provides a striking sense of what it must be like living in those amazing landscapes and harsh conditions, and you feel their pride in keeping with their long standing traditions. Come read our special 10+4 Questions interview.

10 Questions: Yoris Couegnoux

Yoris Couegnoux's work showcases great skill in capturing light, combined with sensitive narration. His work transports you to a cinema set, as if you were watching a modern interpretation of a classic film.

10 Questions: Lilli Waters

Melbourne based photographer Lilli Waters' photos are widely exhibited and published. Her practice draws inspiration from nature; there’s a rawness and openness centred around female themes, and strong narration that leaves you wanting more.

10 Questions: Sam Hurd

Sam Hurd is well known in the photographic industry for his ‘prisming’ and ‘lens chimping’ techniques - and epic portraits series (of celebrities). Sam is not afraid to experiment. His works reflects a sense of experience, skills and maturity beyond his years yet it still has that freshness in it that is charismatically attractive.

10 Questions: Niki Boon

Niki Boon’s work marries fine art and photojournalism so delicately that the energy and spontaneity captured in her work transports you as if you had lived it yourself, viewing it now almost nostalgically. It’s a testament to what life should be when growing up.

10 Questions: Gary Lashmar

Gary Lashmar's work, commercial and personal, especially his street photography, is the proof of Gary’s passion in life, his unique point of view and approach to life - a style that he alone defines - and he shoots from his heart.

10 Questions: David Heidrich

David Heirdrich’s work reminds you of fairytale stories - art and emotion evoked by out-of-this world settings in ethereal light that David so perfectly and intricately captures.

10 Questions: Victor Hamke

When you look at Victor Hamke's work, you feel his sensitivity - his storytelling vision marries surrealism with documentary - a style so unique and poetic that it completely mesmerises you.

10 Questions: Clare Barker Wells

Clare Barker Wells' family and newborn work not only captures key moments but also the in-betweens artistically.

10 Questions: Cristina Venedict

Cristina Venedict's fine art captured our eyes - it  not only showcases her skills as a photographer, but her imagination and creativity. Her work is painterly,  poetic and romantic. 

10 Questions: Zalmy Berkowitz

Zalmy Berkowitz's artistic vision describes rhythm and movement amongst the chaos of life’s candid moments. His film work makes you fall in love with analog all over again.

 
 
 

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ARTIST OF THE MONTH
Artist of the Month - Kate Whyte

Before and After

Before & After with Eastlyn Bright Tolle

"There is too much competitive crap out there, it's time to love." Eastlyn

Couple weeks ago, our friend and colleague Eastlyn Bright Tolle had us all aghast at the gorgeousness of this image. So, yeah, we got on the proverbial horn to find out from Eastlyn what's what. She did not disappoint, to say the least. But don't take our word for it. See for yourselves. And, enjoy!

Eastlyn. You. Go!

I live in Ohio with my husband Joshua. We like living here because not only does it have an extremely affordable cost of living, both our families still live here, as well; but because there isn't a lot of scenic variety, we travel often. Together, we enjoy long road trips filled with creating goofy snapchats (no joke, we're serious about our goofy road trip videos), camping in the woods, and fast strenuous hiking, especially hikes that take us above tree line. So far, my favorite hikes include the Eagle River Trail in Oregon, Cathedral Rock in Sedona, Slieve League in Donegal, Ireland, and my all time favorite to date, Mount Roberts Summit in Juneau. The feeling of accomplishing something that hard and then being rewarded with serene moments by a waterfall or lake, or with a lofty summit view, is unmatched. The longest I've ever hiked in one day is 16 miles, and it was so painfully hard. As weird as it sounds, toward the end of that hike, all I could think about was pizza. So when we got back to the car, we immediately drove for pizza, and it was the best thing I ever tasted in my life. 

Obviously, like all of you, I also love photography. Photography allows me to share my perspective with others in a way that not only captures what a moment looked like, but also what it felt like. Being able to freeze a physical moment and make it tangible, to me, is a gift. Creating images has caused me to view the world in a different way: every detail and every moment is important and beautiful. This “photographer” mindset, has taught me to live in the present. When I focus on what I am trying to capture, every ounce of my attention has to be on the now. To me, this is an incredible application to all of life. Being present to those we interact with everyday is crucial to living. People matter more than anything. And this is one of the reasons why I love this job so much. Telling other's stories with my camera is literally the greatest honor. Almost all sessions and weddings seem to put me back in the right direction and remind me that it’s not about “me,” that others matter more anything, and that when someone’s life is changing, I better get over myself and be present to the miracle in front of me.

By what artists/creatives are you influenced? What inspires you?

So many, but at the top of my list is . . .

Jonas Peterson. I was honored to hear Jonas speak at Yeah Field Trip, and I was inspired and brought to tears by his honesty and his heart for telling his couple's story. He never makes someone's wedding about himself. He's attentive and intentionally looks for what makes a couple's wedding special for them and focuses on capturing that. He's the one who has inspired me to be intentional about being present to the miracle and honor set in front of me. I keep coming back his resonating words, "I'd rather be a selfless photographer than a fearless photographer."

Wyn Wiley. Wyn just loves. He's one of the kindest and most sincere people I've ever met. We were internet friends for several years before I had the privileged of meeting him this past winter. He's the real deal. I've learned a lot from him in the creative and business aspect of photography, but what's had the most impact is his genuine heart. As an example of his character, after meeting me, he sent me a card just because. It encouraged me and made me feel valued. I want to be like him. I want to make other creatives in this industry feel encouraged and valued. I never want to give the impression of superiority. There is too much competitive crap out there, it's time to love.

Do you have a vision in mind before going out and shooting? Tell us about about your workflow and how the vision comes to life before shooting and in post.

My heartfelt desire is to photograph people and moments as they are. I may tell my clients where to stand, but I’m not the type of photographer who plans poses, I want to capture my couples in an honest state, because that what's beautiful. When you look at a photograph you should be able to not only see it, but feel its emotions. So my portrait sessions are unconventional, I'm not afraid to give direction, but I like to watch the moments play out on their own.

The only vision I have before shooting is getting to know the couples that my husband and I work with. For engagement sessions, we always like to meet with our couples beforehand for coffee and just get to know them and their stories; and we also share our story with them. Sharing couple-to-couple has really helped our clients feel comfortable with opening up to us and being raw in front of the camera.

In order for us to document a couple's story, from their engagement session to their wedding day, the very best that we can, I like to get to the guts and the bits and pieces and the intimacy of their story. I'm not just talking about their personal love story, I'm also talking about their individual stories. I want to know the whos and the whys. If they choose to add something special to their ceremony, or if they've chosen to wear an heirloom, I want to know. I want to know why they decided daisies over roses, or vise versa. I want to know what makes their traditional wedding nontraditional for them. I want to know their individual choices so that Josh and I can fully understand and capture the entirety of their story.

The goal of sessions is never the scenery or special effects, it's always the honest connection of the couple.

Now, tell us how this amazing image came together, from conception to completion.

As stated before, the goal of sessions is never the scenery or special effects, it's always the honest connection of the couple.

My husband and I met with Kyle and Sam before their session for coffee, and instantly connected. Although this was the first time we met, they felt like old friends. We went to the Franklin Conservatory in Columbus first, and although it was pretty we all felt cramped and restricted. We left there and had dinner together before heading to the Hoover Reservoir. The two most important technical aspects that Sam and Kyle wanted for their session was a sunset and to use smoke. At the reservoir we found a beautiful pine grove, and because it was after 7pm, the sun was low enough to create harsh directional, horizontal light and shadows. After taking a few shots, we decided that this was the perfect spot to use the smoke. I positioned Kyle and Sam in a light streak between two shadows, and then Josh lit a green smoke stick and ran around them. As the smoke moved through the air, Kyle and Sam embraced and kissed and connected; and with my Mark III, 35mm, and settings at f/2.2, ISO 100 and slightly underexposed at 1/80, I photographed my back lit subjects, taking one shot after another. It wasn't until I looked through my playback that I saw what we just created together. I showed Kyle and Sam, and we were all ecstatic.

Post processing was fairly simple. The in-camera image was already at great quality. For simplicity, I'm going to list my processing steps: 1) Portra 160+1, 2) Shadows +100, 3) Highlights +17, 4) White Clipping +54, 5) Black Clipping -17, 6) Contrast +10, 7) Orange Luminance Shift -12, 8) Yellow Luminance Shift +14, 9) Red Luminance Shift +42, 10) Green Luminance Shift +23, 11) Yellow Saturation Shift +5, 12) Red Saturation Shift +42, 13) Removed all grain, 14) Exported and then applied 100% grain to blocked up shadows in Alien Skin Exposure. And that's all folks.

In summary, the smoke illumined the sunbeams that were already shining in between Kyle and Sam's embrace. The true beauty, to me, is their beautiful connection--the sunbeams and smoke just actuated it.

now MouseOver the image for some sweet B&A Magic!

Bonus Eye Candy!

Follow Eastlyn!

Posted by Seth Langner - Jacksonville, Florida & Seattle, Washington destination wedding and portrait photographer. www.karmathartic.com and Contributing Editor at LOOKSLIKEFILM

Before & After with Mircea Brânda

Several weeks back, our friend and colleague Mircea Branda had us scraping our collective jaws off the pavement with these gorgeous images. So, yeah, we had to learn more about how he crafts these rich and intimate wedding portraits. Check ‘em out, guys!

Mircea. You. GO!

Hi there. I am a photographer from Romania. More recently I've been shooting weddings, but it all started as a hobby seven years ago when I bought my first camera. For a long time my artistic focus was macro and street photography. Then, a good friend of mine and a great photographer as well, Lucian Borza, asked me to join him and shoot a wedding together. That is how it all started.

By what artists/creatives are you influenced? What inspires you?

I'm inspired by the work of some great wedding photographers such as: Ed Peers, Jonas Peterson, Dylan Howell & Sarah Byrne, Gabe Mcclintock, Gianluca Adovasio and many others. Also, the fact that I did macro and street photography for many years has trained my eye to focus on the little details that matter.

Do you have a vision in mind before going out and shooting? Tell us about about your workflow and how the vision comes to life before shooting and in post.

Before a photo session, I like to meet with my clients first and find out a little bit about them. What are their interests or passions?  I also observe them as a couple. Are they adventurous or reserved? These bits of information can really set the mood to a session and even inspire a location. Then during the session my main concern is to keep it all natural. The first thing I tell my clients before a wedding is to try to forget that I am even there.

I like to keep my workflow as simple as I can. At a wedding I shoot somewhere around 3,000 photos. The first step, which I consider most difficult, is selecting the photos that I give to my clients. Then I import all my photos to Lightroom, choose an action and start working.

Now tell us how this amazing image came together, from conception to completion.

I had this location in mind after finding out that the groom is an architect and that the couple also loves nature, just like me. The place itself is a complex of traditional houses in a village near my hometown. We woke up very early in the morning and started shooting. Long after the sun rose, as we were heading back, I accidentally saw this wonderful place behind a hill where the sun hadn’t shown up yet. That is where I took this photo. Back home, I selected Kodak Gold 200 and started to get to work.

SOOC

Final Edit

Bonus Eye Candy!

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Post by LOOKSLIKEFILM contributing editor, Seth Langner | www.karmarthartic.com Jacksonville, Seattle wedding photographer

Before & After with Brook Cutts

This image is pure gorgeousness and so, yeah, we wanted - no - had to get all the details on how our friend and colleague, Brook Cutts, created this epic bridal portrait. And, man, did she deliver. To wit:

Brook. You. GO!

My name is Brook Cutts and I was born and raised in North Carolina.  I grew up on bluegrass music and sweet tea--living in the country and enjoying the simple things in life.  I own Urban Bloom Photography with my husband Joey.  We have been a husband and wife photography team since 2010.  Photography started out as a couple’s hobby for us and now it has turned into something more than we ever imagined!  

I would love to say that I always knew I was going to be a photographer, but that was not the case.  I don’t think I even realized what my interests were until I started doing photography.  I would say, however, that my desire to be creative and different from the norm has always been there.    

By what artists/creatives are you influenced? What inspires you?

I am completely influenced by Nessa Kessinger.  She is lovely, kind, and most importantly, so incredibly talented.  Her photos ooze with romance, elegance, and softness.  She is my original favorite—she was really the first photographer that inspired me to produce these amazing dreamy photos and actually bring them to life. We had the opportunity of meeting her in 2014 when she did photos of my family.

Sam Hurd is another great influence. I can’t really talk about photography without mentioning his name.  I love all that Sam stands for. His work is effortless, it pushes boundaries—when you see his images, there is never a question to whose it is.  

Dylan Howell is another incredible photographer and an amazing influence. His photos are beautifully crafted.  His style is consistent and vibrant. Every session or wedding looks like he has gone on some great adventure with his clients.

Jordan Voth.  His images are just breathtaking. I absolutely love this work!

Sean Flanigan with A Fist Full of Blots.  He is edgy, fresh, and original.  He knows no boundaries.  No limits.  What more could you want to be as an artist?  I can respect that.

My husband and children inspire me.  They inspire me everyday to push, to fight, and to be something that I never knew I could be.  I do my best to make them proud.    

Do you have a vision in mind before going out and shooting? Tell us about about your workflow and how the vision comes to life before shooting and in post.

When we started Urban Bloom we always had a vision of producing beautiful, timeless, and creative photographs for our clients.  We always get input from our clients on where they would like to shoot and just try to get a feel for what they like and enjoy.  Every session and wedding is a new canvas, a new opportunity to produce something great that the client can cherish forever.  Honestly,  I work best going blindly into things.  I have found if I think too much about things, it makes my expectations feel out of reach. When I arrive at a session or wedding I just soak in everything and appreciate all the things around me when shooting.  Too many times I have started out with a plan of exactly what shots I want to get and it rarely (if ever) worked out the way I envisioned.   Each time though, I try and push a little harder than last time and try not to stick to my “go to” shots.   It can be very exhausting being a creative.

Now tell us how this amazing image came together, from conception to completion.

The wedding was held in a mansion on a mountain top in the mountains of North Carolina.  The bride told us beforehand about an area on top of the mountain (about a quarter mile beyond the mansion).  She said that there was a popular place for pictures and she wanted to shoot there.  We had never seen any of the photos that were taken up there and I’m really happy that we didn’t.  Whatever photos we took up there would be from our own vision and not someone else’s.   Once we got to the top of the mountain we saw that the view was out of this world, but it definitely wasn’t the greatest time of day to shoot.  The sun was still high in the sky and the tall trees were casting very hard shadows.  Hard shadows,harsh light, a beautiful mountain view, and a beautiful bride is what we were working with.  We worked some different places on the mountain top.  We did some group shots and some bride and groom shots.  We also wanted to get some shots of just the bride. We stood her out on a rock alone and everything lined up perfectly.  The sun moved its way between the trees so the shadows were gone.  The wind was blowing just enough to get some movement in her dress.  I had her face turned away from the sun and it was a bit dark so I told her to turn her face toward the sun.  Once she turned her face toward the sun, the magic happened.  She kept her shoulders back and presented such a beautiful silhouette.  In the bright sunlight, it was a blessing that she had on a rose colored wedding dress.   The movement of the dress in the wind was breathtaking.  I knew that the shadows would soon return, so I fired off as many shots as possible.  I really didn’t have to tell the bride what to do.  She just knew how to hold her body.  She looked like an angel.   I felt like the shots I got were epic, but you never really know until you get them up on a computer screen.   I had to move so fast and there definitely wasn’t going to be a second chance on this one.  

The image was shot with a Canon 5D Mark 2 with a Canon 50mm 1.2.  For post processing we used Lightroom and Alien Skin Exposure.  In Lightroom we use all custom presets.  In this image we brought down the highlights, lighten the shadows, and then crushed the blacks just a little to give it a hint of the filmy matte look.   Because of the direct sunlight, we had to bring down the contrast quite a bit to smooth the image out.  The bride was fair skinned so she didn't have a lot of color in her skin.  I love the way it turned out in the image.  Also, the dress she was wearing was a pale rose colored dress that gave the image just a hint of color.  

One tool that we always use in Lightroom is the Radial Filter.  We use this to lighten, darken, sharpen, or unsharpen specific areas in an image.  Once edited in Lightroom the image is then moved to Alien Skin Exposure.  We use Exposure for all of the finishing touches.  In Exposure, I added some grain and sharpened the image.  The grain in Exposure is just awesome!  I am just thrilled with how everything turned out.  This is definitely one of those images where everything just came together perfectly at the perfect time.

Mouse over the image below & SEE some of that sweet B&A Magic!

Bonus Eye Candy!

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This post by Seth Langner of Karmathartic Studios --> www.karmathartic.com